We are of the opinion that the means we know now are limited by time and not by their potential. By developing innovative systems, evolution will soon lead to new technologies and even more surprising results. We therefore believe that our benchmarks cannot be determined by the potential of the average instrument on the market but must be adequate support for the most advanced instrument.
Pushing the capacity of each camera and each sensor to the limit leads us to put a strain on the ability to control the results and to be able to guarantee them in such large color spaces is our greatest satisfaction. Restoring its identity and dignity to light is the essence of photography, it is not by limiting its ultraviolet or infrared that good images are obtained, but simply by learning the shooting technique and rediscovering the filters that for so many years have allowed us to dissect the spectrum of our interest with knowledge and technique.
In the era of digital imaging, the primary tool has not changed, it has simply changed the less technical and qualitative approach that has made the creation of any image more laborious and artifical. For most technicians, the creation of color profiles itself is a mathematical calculation based on functions within pre-set standards and parameters. Ultimately, the denial of digital photography and the return to archaic color profiles for printers.
TheSpack color profiles are not limited to an Adobe RGB space, they are extensive and potentially capable of expressing all the colors of each sensor. They are created to provide greater matter and more definition and therefore a number of information such as to guarantee greater control and quality in all shooting situations.
